Successful producer Genki Kawamura worked on this film. What was his input?
He had a big influence, but probably not on things that are easy to see. Being a producer, he didn't write the script or draw images or make the music, so the actual production of the film was done by our staff. Kawamura-san's biggest influence was on the structure of the storytelling. He gave a lot of advice on the timing and flow of the story, where we should place scenes that move the film along and how we should present elements of the plot within a certain timeframe.
You wrote the script yourself. Where did the ideas come from?
The basics of what I wanted to do was to depict a young man and woman who had never met, and the possibility of them meeting. This film essentially deals with the notion of whether there is someone out there you are destined to meet. Putting aside whether that is really true or not, the idea that there is that potential is what I wanted to explore in this film. But rather than it being from them meeting, a story of before them meeting is the film I wanted to make. I thought about various ways to do that and came up with ideas like the three-year time gap and meeting in their dreams.
อ่านแล้วกูเคลียร์เลย
-แม่งต้องชินไคเก็งคิอีกซักเรื่องล่ะมั้ง
-อีกอย่างคือปกติเรื่องทั่วไปมันควรจะเริ่มตอนที่หนังจบสินะๆๆๆๆๆ